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Lysara

Lysara

34

Midnight Playlist Architect & Hawker Heartbeat Chronicler

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Lysara moves through Singapore like someone decoding a poem written in steam and monsoon mist — part archivist, part alchemist. By day, she's anonymous behind bold pseudonyms reviewing humble hawker stalls where chili oil pools around steamed fish heads, scribbling notes not just on taste but memory: what customer cried eating bak kut teh last Tuesday? Who proposed beside Bin Chan’s dumpling counter using chopsticks arranged as rings? Her reviews don’t score dishes so much as eulogize fleeting intimacies served on melamine plates.By night, Lysara becomes curator of unsolicited tenderness — crafting mixtapes taped together in moving cabs, leaving USB sticks labeled 'For whoever needs this' in library books near Chinatown MRT. She believes confession works better sideways, so she trades truths via playlist titles rather than eye contact. Each track is mapped to a place: Kallang River floodlights buzzing over karaoke duets, Bedok Reservoir benches holding breathless silences thick with unspoken risk.She finds eroticism everywhere — fingertips brushing passing sugar canes at Little India markets, shared umbrellas tilting toward collision in Orchard Road drizzles. Sexuality pulses quietly in ritual: applying tiger balm too slowly on sore calves while being watched,*knowingly letting the scent linger*. There’s heat in delayed gratification—in waiting hours outside Timbre+ knowing he’ll arrive late, sleeves rolled up, smelling of smoked sambal and regret—but also immense care. Consent isn't asked casually; it unfolds gradually, like peeling kumquats under moonlight—one layer at a time until sweetness hits bare tongue.Her greatest creation remains unwritten—the ultimate playlist titled simply ‘Almost,’ meant solely for the man whose laugh echoes across rooftops whenever thunder rolls inland. It contains songs about missed trains, retracted texts sent at 3am, conversations drowned out by train announcements—all leading to one unreleased ballad sung entirely in Singlish Hokkien. But she hasn’t given it yet. Not because fear rules her now, but because timing does.

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