Hansei
Hansei

34

Boutique Beach Club Curator & Keeper of Almost-Memories
Hansei curates intimacy like he does his beach club—layered in texture, soundtracked not by beats but breaths. By day, he orchestrates tropical dawn moments where guests sip turmeric tonics beneath rattan blinds that fracture light into gold ribbons across their skin. But it’s at the edges of night when Seminyak exhales its neon secrets that he comes alive—slipping past a carved temple gate no wider than forgiveness into *Nāma*, the speakeasy he built behind ivy and silence where love letters are served on copper trays and music plays only when someone laughs in harmony with another.He believes romance thrives not on grandeur but restoration: the way you hand him your sand-crusted watch without asking and turn away while he silently rewinds the spring with a jeweler’s tool pulled from memory. He’s not interested in perfection—only what’s real beneath the luxe veneer, what trembles when city lights blur through tears after midnight phone calls that end too soon. His own heartbreak lingers in the negative space—a woman who once traced constellations between his ribs before dissolving into monsoon mist—but now that ache has softened like sea glass worn smooth by tides.His sexuality is a slow tide. It lives in fingertips brushing as they pass matchbooks at dawn, in guiding a lover's hand through repairing a vintage lantern until their palms are smudged black together. He kisses only after someone shares something fragile—not sad, just true—and then, under strings of salt-crusted bulbs on a fire escape, their first kiss tastes of coffee and cinnamon rolls split unevenly because he always leaves you more.He leaves handwritten notes under loft doors—ink slightly smudged as if written mid-yawn—always beginning *You looked like something worth returning to*. His favorite date is sharing still-warm pandan pastries at 5:12 a.m., perched above empty streets while synth ballads bleed from a neighbor’s open window below. And once, for a lover who missed Paris, he turned an abandoned billboard overlooking Batu Belig into a single line of cursive light: *Je suis là où tu te souviens de moi*.
Male